The Four-Ton Table

As promised, here are a few words and snapshots summarizing our design/build project at the Bar Pit:

(All photos courtesy Kelsey Ross and Brendan Westfall)

Meet the client.

 (Photo courtesy K.R.)

Al Matyasovsky is nothing short of a miracle worker. He opened the recycling center at the Bar Pit over 10 years ago, and he has been managing it ever since. Thanks to Al's hard work, the amount of trash that is recycled out of the university waste stream has jumped from about 19% to 59% in a little over 10 years. Despite how impressive Al sounds statistically, it is nothing compared to his character. He is easily the sweetest man I have ever met, with a passion for conservation and - cliche as it sounds - a passion for the well being of all people.

It was an honor to work for Al, and I hope that our gift to him and his employees lasts for a very long time.

Our project was to create a social space for the recycling plant at the Bar Pit, complete with landscaping, a wall, a projection screen, and a table for 40. The goal of this project was to be eco-friendly and to use recycled materials whenever possible.

Build the Pieces.

My section was assigned the table, which we designed out of concrete, glass and steel. We also designed and built 32 stools from concrete and recycled buckets, wood, aluminum and glass. All the glass was acquired from dumpsters around our university: 

To make this process extra-sketchy, much of the dumpster-diving was done under the cover of night.

(Photos courtesy B.W.)

We soaked the bottles in trash cans full of clean water for 24 hours before stripping them of labels.

After the bottles took their bath, we scraped their labels off.

We worked a lot of early mornings and late nights to collect and clean over a ton of glass.
(Our project manager, Josh, was not a huge fan of the Saturday and Sunday mornings.)

The glass was then crushed...

...And tumbled to remove sharp edges.

The tumbled glass was then mixed in with concrete and poured into molds we had made from recycled tables. Then each slab was carefully ground down and polished with a giant hand-operated griding machine, then slurried to fill in the holes left from air pockets.

The photo above is a close-up shot of a finished slab.

Two section 4 women did all the welding to make this frame which held the slabs.The trusses were made from reclaimed steel. (Hats off to you, girls!)

(Photos courtesy K.R.)

Here's a shot of our bucket seats. Each seat top was cast within the bucket itself, then pounded out and screwed onto the top.

 

Assemble It.

While section 4 was working on the table and chairs, the other groups were busy manufacturing and assembling their pieces as well:

Section 1 manufactured hundreds of individual blocks, which they transported by bike (no cars allowed) and stacked to create screen walls enclosing our build site, "The Terrace."

(Photos courtesy K.R.)

Section 2 created a general site plan, leveled the ground, and took care of some landscaping. The paving pattern at the site was made exclusively from materials (brick, stone, etc.) found at the Bar Pit.

Section 3 built a projection screen made of Trex for viewing presentations. They also pinned up a facade on the Bar Pit's white trailer to cut down on the glare, which made the area uncomfortable on sunny days.

 

Gradually, each support block, table top slab, and frame truss for our table were transported to the site from studio and assembled at The Terrace. The completed table weighed about 4 tons.

Bringing It All Together.

Though there were a few sunny days during the construction of our project, we generally worked through weather that one professor described as "biblical rain." So it was fitting, then, that our critique would be held on a rainy day as well.

Here are a few photos from the event:

(Photos courtesy K.R.)

The low parts of the wall doubled as overflow seating.

One neat guest we had at the critique was Michael Rotondi (pictured far right), the FAIA 2009 AIA Gold Medal Principal.

Check out his work here.

He arrived in parachute pants, and educated us on ways to tell cheap liquor from the good stuff.

We were criticized mainly for the edge we put on the table to prevent chips and cracks over time. One critic said that it was reminiscent of the edge on a grandma's dresser.

Al and the 1st year professors (from left: Marcus, James, Al, Jodi and Greg.)

All 1st year staff and students at

The Terrace at The Bar Pit.

Before.

After.

The entire project was completed (from design to production to assembly) in 9 weeks by about 60 students and 4 professors. 

Freshman Year in Review

Here are a few things I learned about architecture school in the past few months:

1) Even if you think you're a morning person, you actually aren't.
2) Architecture is like being a doctor on call. Meetings can be held at any time of the day, and on any day of the week.
3) It is more acceptable to create a ballsy design and fail, than to always stay on the safe side.
4) You will learn to cope with stress. Some cry, some yell, some shut down, and others stab themselves in the leg with Xacto knives, but everyone copes.
5) Showering, eating and sleeping schedules become somewhat more sporadic.
6) Generally speaking, architecture professors think they are God.
7) Flexibility is important.
8) The 3-D modeling program Form Z is pure, unadulterated evil.
9) Be humble, but don't be bashful.
10) Don't judge a man by his beard.


One of the biggest lessons I learned is that failure actually doesn't result in death.
I have failed engineering exams, art history quizzes, model reviews and rendering assignments, but I lived to tell the tale.

Because it's amusing and gratifying to review other people's failures (admit it), I'll post my most disasterous works here:

The worst digital rendering in the history of architectural renderings.

Actually, I take it back... This one is probably the worst.

Better, but still bad.

Yes, I scored a 37% on my second Architectural Engineering exam.

Go ahead and laugh. It's ok. I'm doing it, too.

I don't actually have a photo of the model I made for my full-scale room, but trust me,

it looked for all the world like this plant. Ask anyone.

Inexplicably, I thought it perfectly acceptable to make a base out of styrofoam.

Also, clay house models are a terrible idea.

There was also a video to accompany the adobe house project, and it was a doozy. Sadly, the file is too large to upload here. Oh well.

Now to appease my parents (who are paying exorbitant amounts of money for me to be here), I will show you that I learned a lot, too:

Here's a scan of one of the projects we did for Visual Communications -

plans and sections of the Rufer House by Loos.

Our VisCom study of perspective (plan and section of Uffizi superimposed).

This "sketch" somehow worked!

Here's one of my first projects done in the model shop. This is my take on the

grain room shown in "The Good, The Bad, and The Ugly."

The model of my proposed wind-powered grain miller to be

installed in the grain room stood about 2.5 feet tall.

And it actually worked much better than I had expected!

 I passed AE!

Here's a digital topographical model I made for Visual Communications.

The full-scale room I built last semester.

This is a slightly-less-terrible 3-D rendering of the flat-pack

bookshelves we made for VisCom.

Later I'll try to upload some AutoCAD drawings, construction documents and photos of my finished bookshelves. That was an interesting assignment... Stay tuned!